Discursive “Renovatio” in Lope de Vega and Calderón

This volume presents a new approach to Spanish Baroque drama, inspired by Foucauldian discourse archeology, whose rare fusion of meticulous philology and ambitious theory will be exciting and fruitful both for specialists of Spanish literature and for anyone invested in the history of European thought. Detailed readings are dedicated to some of the most prominent plays by Lope de Vega and Calderon de la Barca, both autos sacramentales (El viaje del alma; El divino Orfeo; La lepra de Constantino) and comedias (El castigo sin venganza; El principe constante; El medico de su honra). The archeological perspective cast on the plays implies an integration of their discourse-historical foils , from pagan antiquity through the Middle Ages and the Renaissance, as well as a discussion of related discourses, mainly theological, philosophical and historiographical. A separate excursus suggests a reconsideration of the common manner in which the discursive relation between the Middle Ages, the Renaissance, Mannerism and the Baroque is conceptualized.