Language Acts and Worldmaking22- Happy-Go-Lucky

Praise for David Sedaris' Calypso 'Unquestionably the king of comic writing . . . Calypso is both funnier and more heartbreaking than pretty much anything out there - Hadley Freeman, Guardian 'We get more of a glimpse than we have before of what lies behind the carapace of a writer who seems able to turn almost any situation to comic gold . . . [an] incredibly funny and sometimes moving meditation on love, death and family life, by a master of his craft - Sunday Times 'It's hard to think of a better living practitioner of hilarious honesty than David Sedaris' The Times 'David Sedaris is funny - invariably. That's his gift' Los Angeles Times Back when restaurant menus were still printed on paper, and wearing a mask-or not-was a decision made mostly on Halloween, David Sedaris spent his time doing normal things. As Happy-Go-Lucky opens, he is learning to shoot guns with his sister, visiting muddy flea markets in Serbia, buying gummy worms to feed to ants, and telling his nonagenarian father wheelchair jokes. But then the pandemic hits, and like so many others, he's stuck in lockdown, unable to tour and read for audiences, the part of his work he loves most. To cope, he walks for miles through a nearly deserted city, smelling only his own breath. He vacuums his apartment twice a day, fails to hoard anything, and contemplates how sex workers and acupuncturists might be getting by during quarantine. As the world gradually settles into a new reality, Sedaris too finds himself changed. His offer to fix a stranger's teeth rebuffed, he straightens his own, and ventures into the world with new confidence. Newly orphaned, he considers what it means, in his seventh decade, no longer to be someone's son. And back on the road, he discovers a battle-scarred America: people weary,…