Sources on Art Technology

The papers in this volume are from the 2014 biennial ATSR symposium held in AmsterdamThe papers in this volume are from the 2014 biennial ATSR symposium held in Amsterdam which focused on art technological sources and their aid to research. The papers focus on using source material to research works of art such as artist's notebooks, workshop inventories and documents on the trade in artists' material from the middle ages until today. They show the importance of source material for art historical as well as material-technical or conservation research to highlight the coherence between the style of a work of art and the materials and techniques used in its production. Ultimately, concluding that the disclosure of such source material is of paramount importance for both art-historical as well as material-technical and conservation research. Contents: The Painter's Workshop as Seen by Stradanus - Jan Piet Filedt Kok Back to Basics: Finding the Sources then What? What Do We Do with Art Technological Sources once We Have Found Them? - William Whitney Artists' Recipe Books as Sources for Historical Research in Art Technology: Diversity, Function and Reliability - Sylvie Neven Artists' Treatises and Recipe Books: On Authors, Readers and Users - Cristiana Pasqualetti Between Painting, Printing and X: Re-Reading Early Sources for Photochemical Imaging Processes - Albrecht Pohlmann Archival Sources on Swiss Easel Painting in the Late Nineteenth and Early Twentieth Century - Karoline Beltinger Eilido colours: Sources on the introduction of tar colours and the contradictionary reception in the early 20th century - Heide Skowranek, Christoph Krekel and Heike Stege The Talens Archive - Klaas Jan van den Berg Recipes for Deceit: The Forgery of Paintings 1300-1900 as Expressed in…